THE MUSIC MAN

SYNOPSIS: Footloose con man sets out to fleece a repressed Midwestern community during the early days of the twentieth century, but instead learns a lesson in moral responsibility from the town's comely librarian.

BOTTOM LINE: This maybe one of the silliest musicals, but it's also one of my favorites. I just can't resist its upbeat energy, colorful costumes and mushy storyline. Sure it's a little slow and overdone at times, but it leaves you happily humming a tune when all is said and done. Robert Preston stars as the scheming salesman Professor Harold Hill, who sells the idea of a boys' band to the simple-minded citizens of River City. Excitement grips this small town, but not everyone is thrilled by the presence of this shyster, especially Marion Paroo (Jones), the local librarian. However, even she is eventually won over by Hill's enthusiasm and personal attention. The songs run the gamut from ridiculous, like "Shipoopi," to romantic, like "Goodnight My Someone," to infectious, like "76 Trombones" and "Ya Got Trouble." Preston gives the most mesmerizing performance of his career. Jones is also a strong presence with her beautiful voice and comic skills. She and Preston have great chemistry together. Ron Howard is adorable as Jones' little brother with a giant lisp. The large supporting cast gives it their all, with Buddy Hackett and Pert Kelton standing out from the crowd. Though initially created for the stage, the filmmakers manage to open it up and give it a cinematic look and feel. If you like traditional musicals, this is one to watch.